Viewing entries tagged
alternative pop music

PARKER 'Become The Fool' Q&A

Comment

PARKER 'Become The Fool' Q&A

YOU’LL BECOME THE FOOL IF YOU DON’T CHECK THIS OUT!

           PARKER ANNOUNCES ARRESTING SINGLE & VIDEO 

BECOME THE FOOL

Parker 2020 low res.jpg

Visual artist, songwriter and musician PARKER has today announced her devastatingly beautiful new single Become The Fool, a heartbreakingly powerful song about an unbalanced relationship in which one person ends up sacrificing too much of themselves and their dreams for another, set for release January 24.  PARKER has also announced a gorgeous Bauhaus-inspired clip to accompany Become The Fool.  This affecting new single is the first taste of what is set to be an incredibly exciting 2020 for this innovative artist. 

Become The Fool is about as vulnerable as a song can be.  Everything from PARKER’s delicate, glassy vocal delivery, to the melancholy synths and deep, arresting percussion, bleeds with heavy emotion, and will speak to anyone who has gone through a complicated heartbreak – one that perhaps they wondered if they would ever recover from.  Speaking on the inspiration behind the track, PARKER reflects, “This is the first song that was co-written with my writing and production team, Hans Van Vliet (QLD) and Becki Whitton (VIC), across three states and I’m really excited about it.  When a relationship ends it can be devastating.  But what happens afterwards can be a beautiful mess of experiences and vivid feelings.   When I got to the end of my longest relationship, I realised I had lost so much of myself.  I had been living for someone else and their dreams for so long I didn’t know who I was without them.  But through this experience, I was set free to find myself again, to pursue my creative practice with all my heart.

The video for Become The Fool is a stunning journey that explores the depth of emotion behind this extraordinary song.  The viewer feels connected to the main character as someone who is left behind in a world built for someone else.  The narrative begins in sepia tones, and as the clip progresses and the character reclaims the city for herself through expressive dance, the scene begins to fill with colour as an empowering metaphor for this story.  PARKER explains, “The clip for this song is so incredible!  It was made in one month on a super tight budget.  It was made by Hans Van Vliet (7 Bit Hero + HUNZ) in just three weeks.  We took inspiration from bauhaus design; we wanted to create something that felt nostalgic yet contemporary.  Every single element in the clip has a meaning and a reason to be there.  Nothing is superfluous.”

This wonderfully considered release is just the beginning of what is set to be a spectacular year for this multi-disciplinary artist, as she gives fans a taste of what is yet to come, “I’m really excited about all the singles and music videos we have lined up to release this year.  I’ve also got a number of live videos in the making!  I feel so lucky to be working with so many great film makers, musicians and audio engineers on these projects.” 

PARKER is Tash Parker. 

Become The Fool  is out January 24.

Stream: BECOME THE FOOL Watch: BECOME THE FOOL

            

 PARKER Q&A

Q; What’s the inspiration behind your new single ‘Become The Fool’? 

 

A; This song was originally inspired by the hit TV series The Marvelous Mrs Masel.  We took inspiration from the story but made the lyrics more personal to my own narrative of heartbreak.  Become The Fool is about taking ownership of loosing myself in a relationship. 

 

Q; Who are your greatest musical influences?

 

A; For voice - Dolly Parton, Joni Mitchell and Stevie Nicks are the artists who I have sung along with the most.  I love how they sing with their own voices and don’t sound like anyone else. 

 

For production - I love anything from the 80s.  Peter Gabriel, The Cars and The Eurythmics are at the top of my list. 

 

For a challenge - I love listening to Arthur Russell because I really believe he wrote great pop melodies. The complexity of his arrangements and song structures really challenge my brain in an enjoyable way. 

 

Q; What do you bring to the live stage? 

 

A; I have always performed self accompanied on guitar until now.  Next week I will be debuting my new live show at the Earl Arts Centre in Launceston.  The band consists of a drummer playing SPD and a Keys player playing Nord and Prophet X.  I will be able to focus on performing these big vocal parts we’ve written for these songs and probably be wearing something very sparkly. 

 

Q; How was the recording process? 

 

A; This track was written and recorded across 3 states.  Hans worked on production in Brisbane.  The lyrics were written in Launceston and we recorded the vocals in an on the Mornington Peninsula.  I actually recorded the vocals in the studio owned by the person the song is about so it was quite a healing experience for my heart and that relationship. 

 

Q; What was the inspiration behind the music video? 

 

A; We wanted to honour female artists in history who had not been recognised as much as their male counterparts.  The Bauhaus movement had many female artists, photographers, weavers and painters who contributed significantly but were not as well known. We used bauhaus design theory and referenced iconic photographs to create the world the dancing cloaked figure is in.  The cloak is made from Denim which is a direct reference to the opening line of the song.  The martyr pose is significant to the sacrifice the character had made for another.  They dance through the world to reclaim the space that was built around them and that they were left behind in. 

 

Q; How would you describe your writing process? 

 

A; I love to collaborate.  I often sketch out song ideas and then take those to my writing team.  I write in 3 different projects and they are all very different.  I don’t like pinning myself to one genre so when I write a country pop song I take it to Runaway Belles and when I write an 80s heartbreak ballad I take it to the Parker team. All the other experimental vocal arrangements I work on I take to Ladychoir so there is always something exciting that we are creating at any given time. 

 

 

Q; Give us an interesting personal fact!

 

A; I’m a really great waterskier.  I grew up on Lake Kununurra so I would ski with fresh water crocodiles most weekends.  Knowing they were in the water made it really easy to learn how not to fall off. 

 

 

Comment

Walking On Cars - Podcast Interview With Patrick (vocals), November 26 2019

Comment

Walking On Cars - Podcast Interview With Patrick (vocals), November 26 2019

THIS MONSTER’S BACK IN TOWN!

This monster's back in town! Brendan the blind guy went chasing speeding cars as he spoke to Patrick, the lead singer from Irish alt-rock band WALKING ON CARS leading up to the bands debut Australian headline tour for their critically acclaimed second album 'Colours'. The two lads spoke about the making of the new album and the inspiration behind the songs, how the band walk out onto the stage at their energetic live shows plus a whole new meaning to a "wet dream". Follow Keen Eye 4 Concerts on all your socials and sign up to our newsletter at www.keeneye4concerts.com

This monster's back in town! Brendan the blind guy went chasing speeding cars as he spoke to Patrick, the lead singer from Irish alt-rock band WALKING ON CARS leading up to the bands debut Australian headline tour for their critically acclaimed second album 'Colours'.

The two lads spoke about the making of the new album and the inspiration behind the songs, how the band walk out onto the stage at their energetic live shows plus a whole new meaning to a "wet dream".

Head to the What’s On? page for full information on the bands Australian tour!

Comment

RACKETT - 'Machinations' Single Q&A Interview

1 Comment

RACKETT - 'Machinations' Single Q&A Interview

READY OR NOT, HERE IT COMES!

AU MASTER A4.jpg

Hey everyone, Brendan the blind guy here! Chatting to awesome musicians is like a drug, and even if I Tried To Quit… well, we all know I’d re-lapse, because like it or not, I Please Myself at the end of the day, and honestly, it makes me feel so Alive! If your brain hurts from the onslaught of interviews, well this will Kiss It Better for you surely! So Ready Or Not, ladies and gentlemen, RACKETT!

Brendan; Recently you recreated the name Rackett to be a solo project, and released your innovative new track ‘Machinations’, taking a more untethered electronic-punk approach to your previous pop/alternative-punk style. Apparently you’ve really found your happy place with this song, so what inspired the new direction/flavours? Has working with and promoting other artists with Beehive PR helped you with this?


Bec; I was inspired by pop music. I was listening to a lot of pop artists redefining pop and creating sounds and structures that seemed to push back against what was expected of pop. I was inspired by A.I and developing technologies and virtual realities and I wanted to create art music that was concurrent with a plastic future.


Brendan; As for the lyrics, I know first-hand you’ve got a copious amount of stories and experiences to write about, but what exactly was the story behind this track?


Bec; The track is about going out of my mind. Machination means to scheme. I had to go into the pits of myself, the illusions I had created, the delusion and find a way through the turmoil and into a future self. I had to scheme a way out.


Brendan; Currently you’re taking over the stages in Japan on quite an extensive run of shows, that must be such an amazing experience! AND THEN, after you get back from Japan, you’re hitting up Sydney and Melbourne only five days after you land home, barely enough time to shake off the jet-lag! So how are the crowds there in Japan responding? Is it a bit contrast to your Aussie fans? I mean, I can’t imagine the Japanese ladies would be as inclined to flash their boobs at you like the wild Aussie ladies here do?


Bec; Well I haven’t seen any flashing boobs, but I have seen a band give their lead singer a bubble bath mid-set. I’m actually only back in Australia for 1 day before my Australia single launch shows begin. I’ve learned so much and their are contrast in priorities here verss Australia. In Japan you must be on time for soundcheck and be present for a pre show meeting where everyone is introduced to each other There are no riders or free drinks, but the schedule is very proficient and support bands on this tour have been the highest calibre of musicians I have played with.


Brendan; I know I kind of gave a bit of a teaser to what a Rackett show brings, (you did say last time you see a lot of tits) But give us a taste of what this new Rackett brings to the stages? Will I still be compelled to flash my chest at you?


Bec; I think you’ll be compelled to dance. My new music is hyper fun, fast and nothing really below 128 BPM which is prime dance tempo. Its still punk in attitude but a future-punk that has those digital elements more present in dance music.


Brendan; Right, now I reckon it’s time we get exclusive Bec, just me and you… and all the readers. So, what would be an exclusive fun fact about yourself


Bec; A fun fact about myself? I don’t know that I can say I have fun facts, I guess that’s in the eye of the beholder. I love a random dance on the street, I love to Heely, I mix up names a lot. For example, there was a Japans band covering Blitz Screen Bob by the Ramones and I got up on stage and thanked them for their cover of ’Split-screen Bob’.


Brendan; Now for my favourite question of all, that’s right people, it’s WTF time! I know I’ve asked you this before, twice actually, and you said how early on you found a dirty nappy in your travel bag on the plane, and last year you told me how at one show, a girl you kissed during ‘Kiss It Better’ took you quite literally, to the point where you had to reluctantly pull away from her to catch up to your singing. But this time, has there been any WTF moments in Japan?


Bec; WTF moments for me have been pulling an all-nighter in Shibuya, doing the rounds of bars and ending up in a party in Love Hotel. Actually this tour has been an all-around WTF moment. Every night has been an adventure, seeing really weird support bands. Another one aside from the bubble bath one was a band that dressed as ‘Where’s Wally’ and sang Queen covers.


Brendan; As always it has been a pleasure chatting to you Bec, but we’ll leave it with one more. So, what’s next for Rackett?


Bec; What’s next is more music! I have another single out in January next year and will be reassessing more and more next year. I’ll be touring, working on my Heelys game and waiting for the future to arrive.

1 Comment