SHEPPARD 'Christmas Without You' Interview

GERONIMO!!!

As we say Bombs Away to closing another challenging year, beloved Australian pop band SHEPPARD release their first Christmas song, 'Christmas Without You' a heart-felt sensation, for anyone not able to be with their loved ones at Christmas time. Brendan the blind guy was thrilled to catch up with the Sheppard trio to chat about the heart-felt single, plus their performance at the Lord Mayor Christmas Carols in Brisbane on December 11, the band's third studio album 'Kaleidoscope Eyes' and much more to free-dive into that'll make you go bananas!

Montana Sharp 'Greenhouse' Single - Podcast Interview

“I WISH I WAS A SLICE OF CHEESE”

"I WISH I WAS A SLICE OF CHEESE" Classically trained pop new-comer MONTANA SHARP drops her mysterious, theatrical and spine-tingling debut single 'Greenhouse' Brendan the blind guy had a chat to Montana about the single and more to make you feel like a Disney Princess!

Classically trained pop new-comer MONTANA SHARP drops her mysterious, theatrical and spine-tingling debut single 'Greenhouse' Brendan the blind guy had a chat to Montana about the single and more that’ll make you feel like a Disney Princess!

“Apart from it having the obvious humorous lyrics, it’s actually quite beautiful as far as the music goes and all in all, shows a rare creativity and talent for songwriting which I think people will love!” Brendan - ‘A Slice Of Cheese’

View the press release for ‘Greenhouse’ by Montana Sharp here.

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Grace Farriss - 'All The People' Podcast Interview 20/07/2020

THE EXACT DEFINITION OF FUNK!

All the people seeking a pick me up for the cold Winters' week, look no further for I present to you singer, songwriter, composer, producer, author, poet, painter and environmentalist, the stunning and talented GRACE FARRIS! Brendan the blind guy had a chat to Grace who recently dropped her "explosive fireball of funk" new debut single 'All The People' off her upcoming debut album 'Grace' featuring a stella line-up of performers. On top of that Brendan and Grace talked about Grace growing up with her rockstar dad, the legendary Andrew Farriss from INXS and much more! Like, share and sign up to Keen Eye 4 Concerts' newsletter at www.keeneye4concerts.com

All the people seeking a pick me up for the cold Winters' week, look no further for I present to you singer, songwriter, composer, producer, author, poet, painter and environmentalist, the stunning and talented GRACE FARRIS!

Brendan the blind guy had a chat to Grace who recently dropped her "explosive fireball of funk" new debut single 'All The People' off her upcoming debut album 'Grace' featuring a impressive line-up of performers. On top of that Brendan and Grace talked about Grace growing up with her rockstar dad, the legendary Andrew Farriss from INXS and much more!

Like, share and sign up to Keen Eye 4 Concerts' newsletter at www.keeneye4concerts.com/sign-up

View ‘All The People’ press release here

KIT (All Our Exes Live In Texas) 'Good Guy' Single Q&A

THE GOOD GUY IS BEST!

KIT ANNOUNCES DEBUT SINGLE AND VIDEO GOOD GUY

An integral part of the beloved Australian group All Our Exes Live In Texas, Kit (otherwise known as Katie Wighton) has today announced her debut solo release, Good Guy.  A gritty, guitar-led powerhouse of a single, Good Guy calls out every dude who’s ever gotten away with bad behaviour.  Kit has also released a stellar clip to accompany Good Guy, created in collaboration with Gina Somfleth of Pop Candi Films (Merpire, Peach Noise, Press Club).  

Following the outbreak of COVID-19, Kit has had to be creative with her single launch shows. After performing at ISOLAID on March 22 she was inspired to do her single launch show live on Instagram. With support from Bonnie Songs , Nancie Schipper & Hannah Blackburn, Kit will perform live from her livingroom on Friday April 17 at 7pm AEDT. She will have a Bandcamp set up with the idea that people can buy the single and donate what they may have paid to come to the show, and a percentage of the proceeds from the night will also go to Support Act to help those who are seriously suffering in our musical community."I find it very interesting that at the moment the things we seem to be talking about are our healthcare workers and hospitals, schools and universities and The Arts. In a crisis, these things become the most important and I hope that when we get through this awful time we will remember that.” Kit remarks.  “Being creative can sometimes be a burden but right now, it's our biggest asset. I've been doing the crossword on Instagram live and also have started an insta-choir – which is so much fun. I was sitting in my room playing a Hank Williams song and really missing the harmonies, so I chucked it up on my socials and asked people to send in their harmonies. The second week has really taken on a life of its own - we did Two Strong Hearts and had drums and bass and even a wine bottle solo! It’s so beautiful to connect with people safely and bring a little smile to people across the interwebs!”

Co-written with Ali Barter (also featured on backing vocals) and created with producers Dave Symes (Boy and Bear, Sarah Blasko, Missy Higgins) and James Seymour (Merpire, Eaglemont), Good Guy is a sharp, hard-hitting track with a vital message.  One for fans of rockers Alex Lahey, Angel Olsen and Ruby Fields, Good Guy leads with its heart on its sleeve; with amps cranked and driving percussion alongside clever and playful melodies, this track is impossible to ignore.  Speaking on the inspiration behind the track, Kit explains, “I wrote this song with Ali Barter last year after having one too many conversations with amazing women about men in the entertainment industry getting away with bad behaviour.  There is a long and specific story behind it, basically I was tired of hearing sad songs by incredible women about other remarkable women who were wronged – I just wanted to get mad about it. The chorus is kind of a G-rated ‘fuck the patriarchy’.  One of the lyrics is 'it's bigger than us both’.  The conversations stopped just being about my own sadness, anger, disappointment and horror and turned into ‘What the actual shit is going on around us?  How can we fix this?’”

The clip for Good Guy reinforces the message behind the track wholeheartedly.  Reflecting on the video, Kit says, “It's kind of alluding to the experience of someone seeming like a lovely person at first and lulling you into a semi-false sense of security.  Then bam, they do something shit and you're all confused.  And I feel like it's so common now.  Sometimes it's not even something that bad.  Ghosting and not replying to texts, not going straight for a condom, not being honest and open about where they're at.  Anyway, it's that.  In a film clip.  You'll just have to watch it to get the full scoop!  And it's shot in Melbourne at some of my favourite spots!  The patriarchy is giving me a lot of creative fodder, ha!”

Good Guy is a far cry from the exquisite folk stylings of All Our Exes Live In Texas that fans might know Kit best for, but it’s all a melting pot of influences as she explains, “I've been listening to different music – more rocky, raw stuff.  We played folk songs for a long time and I got to a point where I wanted to yell a bit.  Get my punk on!  And have my own voice too.  The band has definitely been a part of KIT, even if it isn't conscious.  Those women are a really important part of my music and emotional history and it would be naïve to think it hasn't influenced KIT.”

Good Guy is out April 3 through Believe.

Listen: GOOD GUY

Watch: GOOD GUY

 FRIDAY 17 APR @ 7pm AEDT | LIVE ON INSTAGRAM WITH BONNIE SONGS, NANCIE SCHIPPER & HANNAH BLACKBURN

Q&A WITH KIT

What’s the inspiration behind your new single Good Guy? 

“I wrote this song with Ali Barter last year after having one too many conversations with amazing women about men in the entertainment industry getting away with bad behaviour. There is a long and specific story behind it, basically I was tired of hearing sad songs by incredible women about other remarkable

women who were wronged – I just wanted to get mad about it. The chorus is kind of a G-rated ‘fuck the patriarchy’. One of the lyrics is ‘this is bigger than us both’. The conversations stopped just being about my own sadness, anger, disappointment and horror and turned into ‘What the actual shit is going on around us? How can we fix this?”

Who are your greatest musical influences?

“Phoebe Bridgers, Merpire, my mum. “

What do you bring to the live stage? 

“I HOPE good banter and open, honest music. “

How was the recording process? 

“Long haha! But so fun. I was just so picky about this first single that it took awhile. Thankfully I had a lot of very kind, patient, BRILLIANT musicians and friends around me so that helped. And in the end I’m really proud of where we got to so it was all worth it!”

What was the inspiration behind the music video? 

“Well we’re tackling what I think is pretty heavy subject matter so Gina Somfleth (from Popcandi and who I made the clip with) and I were keen to stay away from that. We wanted to find a humourous route to take so we went with going on a date with the devil - except I don’t know he’s the bad guy!!”

How would you describe your writing process? 

 “I think it changes all the time. BUT I would say I mostly start with an idea or a melody. Then I usually build it from there. Honestly there’s no one way though! “

Give us an interesting personal fact!

“I once baked a cake with a BB8 (Star Wars) on the top of it for a friend’s birthday. I still sleep with a teddy bear called White Bear and he’s actually a cat. “

PARKER 'Become The Fool' Q&A

YOU’LL BECOME THE FOOL IF YOU DON’T CHECK THIS OUT!

           PARKER ANNOUNCES ARRESTING SINGLE & VIDEO 

BECOME THE FOOL

Visual artist, songwriter and musician PARKER has today announced her devastatingly beautiful new single Become The Fool, a heartbreakingly powerful song about an unbalanced relationship in which one person ends up sacrificing too much of themselves and their dreams for another, set for release January 24.  PARKER has also announced a gorgeous Bauhaus-inspired clip to accompany Become The Fool.  This affecting new single is the first taste of what is set to be an incredibly exciting 2020 for this innovative artist. 

Become The Fool is about as vulnerable as a song can be.  Everything from PARKER’s delicate, glassy vocal delivery, to the melancholy synths and deep, arresting percussion, bleeds with heavy emotion, and will speak to anyone who has gone through a complicated heartbreak – one that perhaps they wondered if they would ever recover from.  Speaking on the inspiration behind the track, PARKER reflects, “This is the first song that was co-written with my writing and production team, Hans Van Vliet (QLD) and Becki Whitton (VIC), across three states and I’m really excited about it.  When a relationship ends it can be devastating.  But what happens afterwards can be a beautiful mess of experiences and vivid feelings.   When I got to the end of my longest relationship, I realised I had lost so much of myself.  I had been living for someone else and their dreams for so long I didn’t know who I was without them.  But through this experience, I was set free to find myself again, to pursue my creative practice with all my heart.”

The video for Become The Fool is a stunning journey that explores the depth of emotion behind this extraordinary song.  The viewer feels connected to the main character as someone who is left behind in a world built for someone else.  The narrative begins in sepia tones, and as the clip progresses and the character reclaims the city for herself through expressive dance, the scene begins to fill with colour as an empowering metaphor for this story.  PARKER explains, “The clip for this song is so incredible!  It was made in one month on a super tight budget.  It was made by Hans Van Vliet (7 Bit Hero + HUNZ) in just three weeks.  We took inspiration from bauhaus design; we wanted to create something that felt nostalgic yet contemporary.  Every single element in the clip has a meaning and a reason to be there.  Nothing is superfluous.”

This wonderfully considered release is just the beginning of what is set to be a spectacular year for this multi-disciplinary artist, as she gives fans a taste of what is yet to come, “I’m really excited about all the singles and music videos we have lined up to release this year.  I’ve also got a number of live videos in the making!  I feel so lucky to be working with so many great film makers, musicians and audio engineers on these projects.” 

PARKER is Tash Parker. 

Become The Fool  is out January 24.

Stream: BECOME THE FOOL Watch: BECOME THE FOOL

 PARKER Q&A

Q; What’s the inspiration behind your new single ‘Become The Fool’? 

A; This song was originally inspired by the hit TV series The Marvelous Mrs Masel.  We took inspiration from the story but made the lyrics more personal to my own narrative of heartbreak.  Become The Fool is about taking ownership of loosing myself in a relationship. 

Q; Who are your greatest musical influences?

A; For voice - Dolly Parton, Joni Mitchell and Stevie Nicks are the artists who I have sung along with the most.  I love how they sing with their own voices and don’t sound like anyone else. 

For production - I love anything from the 80s.  Peter Gabriel, The Cars and The Eurythmics are at the top of my list. 

For a challenge - I love listening to Arthur Russell because I really believe he wrote great pop melodies. The complexity of his arrangements and song structures really challenge my brain in an enjoyable way. 

Q; What do you bring to the live stage? 

A; I have always performed self accompanied on guitar until now.  Next week I will be debuting my new live show at the Earl Arts Centre in Launceston.  The band consists of a drummer playing SPD and a Keys player playing Nord and Prophet X.  I will be able to focus on performing these big vocal parts we’ve written for these songs and probably be wearing something very sparkly. 

Q; How was the recording process? 

A; This track was written and recorded across 3 states.  Hans worked on production in Brisbane.  The lyrics were written in Launceston and we recorded the vocals in an on the Mornington Peninsula.  I actually recorded the vocals in the studio owned by the person the song is about so it was quite a healing experience for my heart and that relationship. 

Q; What was the inspiration behind the music video? 

A; We wanted to honour female artists in history who had not been recognised as much as their male counterparts.  The Bauhaus movement had many female artists, photographers, weavers and painters who contributed significantly but were not as well known. We used bauhaus design theory and referenced iconic photographs to create the world the dancing cloaked figure is in.  The cloak is made from Denim which is a direct reference to the opening line of the song.  The martyr pose is significant to the sacrifice the character had made for another.  They dance through the world to reclaim the space that was built around them and that they were left behind in. 

Q; How would you describe your writing process? 

A; I love to collaborate.  I often sketch out song ideas and then take those to my writing team.  I write in 3 different projects and they are all very different.  I don’t like pinning myself to one genre so when I write a country pop song I take it to Runaway Belles and when I write an 80s heartbreak ballad I take it to the Parker team. All the other experimental vocal arrangements I work on I take to Ladychoir so there is always something exciting that we are creating at any given time. 

Q; Give us an interesting personal fact!

A; I’m a really great waterskier.  I grew up on Lake Kununurra so I would ski with fresh water crocodiles most weekends.  Knowing they were in the water made it really easy to learn how not to fall off. 

Nic Rollo 'Monster' Q&A

LET THE INNER MONSTER OUT!

  NIC ROLLO ANNOUNCES NEW SINGLE & VIDEO MONSTER 

Perth based producer and songwriter Nic Rollo has today announced his driving, eerie new single Monster, about identifying and quelling the monster within us all, set for release on February 5.  Accompanying the track is a dark, revolving film clip, directed by Alex Montanari (Cub Sport, What So Not, Khalid) and Matthew James.  Monster follows the 2019 release of Nic’s brilliant, iridescent EP What Happened to the Kid. 

Monster will feel familiar to anyone who has said something in frustration or anger that they regret after the fact – the track is an introspective interrogation of that remorse, and what it’ll take to tame the inner monster who is responsible for those biting remarks.  Reminiscent of synth-pop auteurs M83 and indie rockers The Wombats, and mastered by pop royalty Chris Gehringer (Harry Styles, Rihanna, Halsey), the track is buoyed by glistening synths, hooky guitar and driving percussion – while Nic’s gentle vocals and arresting lyrics take centre stage.  Reflecting on the inspiration behind the track, Nic explains, “Monster was written during a previous relationship of mine when things were a bit shaky.  There were a few times that I’d said something to my ex that had started to cause fractures in the relationship and unnecessary conflict.  Monster is about that side of myself that I don’t always like  - the part that is impulsive and lashes out when I should just hold my tongue instead.”

The video for Monster feels like the beginning of a horror film – there’s a sense of suspense, as though the calm atmosphere of the night-driving scenes will not last for much longer.  It’s a beautiful watch, too – the lights passing in the night as the song plays out feels like a perfect representation of the moody nature of the music.  Speaking about the clip, Nic says, “The video for Monster is a narrative based video that features a lot of driving and aims to be aesthetically pleasing.  Matthew James, Alex Montanari and I came together to think about the video a few months back and we all had this vibe of the song revolving around driving and having dark colours. The story itself is supposed to be slightly confusing - am I driving to the burial or from the burial?  Am I burying the monster or is the monster burying me?”

The release of Monster is a killer way to kick off 2020 for this exciting young artist, as he enthuses, “It feels fantastic to finally be releasing Monster.  I wrote the song over a year ago and have been sitting on it for what feels like forever now.  To date, it is probably my favourite song that I’ve written, and I’m super stoked to finally be able to share it with people.”

Monster is out February 5.

Listen: MONSTER

Watch: MONSTER

Q&A Interview with Nic Rollo.

Q; What’s the inspiration behind your new single Monster?

A; I wrote Monster during a pretty turbulent time in a previous relationship where it felt like I kept saying things that would damage it, and inevitably caused fractures in the relationship itself.  The song is also commenting on how often, we shouldn’t be worried about other people, we should be more cautious of our own monsters.  I think the song came from the guitar line that goes throughout the song - I vaguely remember coming up with it whilst in the studio with a band I play in and instantly knew I could write something around it.

Q; Who are your greatest musical influences?

A; I used to listen to so much Radiohead when I was younger that I’m sure they’re still impacting some of my musical decisions today.  I think there’s something exciting about having weirder elements in pop music, so Radiohead definitely helped a lot there.  In terms of synth sounds and all of that, bands like Tears for Fears, Fleetwood Mac and Tame Impala all gave me a look into that world about 5 years ago (starting with Tame).  More recently artists like The Weeknd, Drake, Charlie Puth (and many others) have been really big influences on me as I’ve gotten more and more into writing pop music.  

Q; What do you bring to the live stage?

A; Aside from INCREDIBLE musical prowess (I’m kidding), I feel like the live show is pretty fun.  We’re all just up there having a good time, trying to not mess up too badly.  I’m planning on upgrading the live show over the next few months with another member and potentially starting to look into incorporating lights and visuals, which I’m super pumped about.  I’ve always been so fascinated by lighting and visuals in music.

Q; How was the recording process?

A; I love the recording process, I feel most comfortable when I’m in the studio.  Working on Monster was good fun since I had been so fond of the song in its demo form.  I was really excited to polish it up and see how it sounded.  I recorded it at Blackbird Studio in Perth with Dave Parkin, and had Felix Parker with me (who played those ripper guitar solos).  Some songs have historically been an emotional rollercoaster in the studio due to a number of reasons, but luckily Monster was pretty easy going.  

Q; What was the inspiration behind the music video?

A; I caught up with Alex Montanari and Matthew James, who both worked on the clip, a few months before we were planning on beginning filming to figure out the story and what we wanted to achieve.  Alex and I both had this idea in our heads about the film revolving around driving… something about Monster had a ‘driving a car’ kinda feel.  After that point the hard part was figuring out how to incorporate driving into an interesting story line and keep the video interesting over nearly 4 minutes.

Q; How would you describe your writing process?

A; Sometimes it’s manic, sometimes it’s relaxed.  I’ll typically just shit down at a keyboard and start playing chords until I come up with a chord progression or melody that inspires me to keep working on it.   At that point I’ll begin to build a track from there.  Sometimes I’ll write the bulk of the song in 20 minutes and be done with it (spending the next month or two producing it), other times I’ll spend 3 weeks trying to finish the actual songwriting (the chords, melodies, lyrics).  I guess it can be hard to put a method to being creative, so to an extent you just have to let it happen as it does.

Q; Give us an interesting personal fact!

A; I’ll give you two - I’m a literal caffeine fiend, like I drink enough coffee to be considered ¼ coffee myself.  It’s in my blood now.  I also get a stupid amount of nose bleeds during summer, I think I have really weak nose lining or something, but damn does it suck.  I’m surprised I’m not dead yet from blood loss.

Walking On Cars - Podcast Interview With Patrick (vocals), November 26 2019

THIS MONSTER’S BACK IN TOWN!

This monster's back in town! Brendan the blind guy went chasing speeding cars as he spoke to Patrick, the lead singer from Irish alt-rock band WALKING ON CARS leading up to the bands debut Australian headline tour for their critically acclaimed second album 'Colours'. The two lads spoke about the making of the new album and the inspiration behind the songs, how the band walk out onto the stage at their energetic live shows plus a whole new meaning to a "wet dream". Follow Keen Eye 4 Concerts on all your socials and sign up to our newsletter at www.keeneye4concerts.com

This monster's back in town! Brendan the blind guy went chasing speeding cars as he spoke to Patrick, the lead singer from Irish alt-rock band WALKING ON CARS leading up to the bands debut Australian headline tour for their critically acclaimed second album 'Colours'.

The two lads spoke about the making of the new album and the inspiration behind the songs, how the band walk out onto the stage at their energetic live shows plus a whole new meaning to a "wet dream".

Head to the What’s On? page for full information on the bands Australian tour!

RACKETT - 'Machinations' Single Q&A Interview

READY OR NOT, HERE IT COMES!

Hey everyone, Brendan the blind guy here! Chatting to awesome musicians is like a drug, and even if I Tried To Quit… well, we all know I’d re-lapse, because like it or not, I Please Myself at the end of the day, and honestly, it makes me feel so Alive! If your brain hurts from the onslaught of interviews, well this will Kiss It Better for you surely! So Ready Or Not, ladies and gentlemen, RACKETT!

Brendan; Recently you recreated the name Rackett to be a solo project, and released your innovative new track ‘Machinations’, taking a more untethered electronic-punk approach to your previous pop/alternative-punk style. Apparently you’ve really found your happy place with this song, so what inspired the new direction/flavours? Has working with and promoting other artists with Beehive PR helped you with this?

Bec; I was inspired by pop music. I was listening to a lot of pop artists redefining pop and creating sounds and structures that seemed to push back against what was expected of pop. I was inspired by A.I and developing technologies and virtual realities and I wanted to create art music that was concurrent with a plastic future.

Brendan; As for the lyrics, I know first-hand you’ve got a copious amount of stories and experiences to write about, but what exactly was the story behind this track?

Bec; The track is about going out of my mind. Machination means to scheme. I had to go into the pits of myself, the illusions I had created, the delusion and find a way through the turmoil and into a future self. I had to scheme a way out.

Brendan; Currently you’re taking over the stages in Japan on quite an extensive run of shows, that must be such an amazing experience! AND THEN, after you get back from Japan, you’re hitting up Sydney and Melbourne only five days after you land home, barely enough time to shake off the jet-lag! So how are the crowds there in Japan responding? Is it a bit contrast to your Aussie fans? I mean, I can’t imagine the Japanese ladies would be as inclined to flash their boobs at you like the wild Aussie ladies here do?

Bec; Well I haven’t seen any flashing boobs, but I have seen a band give their lead singer a bubble bath mid-set. I’m actually only back in Australia for 1 day before my Australia single launch shows begin. I’ve learned so much and their are contrast in priorities here verss Australia. In Japan you must be on time for soundcheck and be present for a pre show meeting where everyone is introduced to each other There are no riders or free drinks, but the schedule is very proficient and support bands on this tour have been the highest calibre of musicians I have played with.

Brendan; I know I kind of gave a bit of a teaser to what a Rackett show brings, (you did say last time you see a lot of tits) But give us a taste of what this new Rackett brings to the stages? Will I still be compelled to flash my chest at you?

Bec; I think you’ll be compelled to dance. My new music is hyper fun, fast and nothing really below 128 BPM which is prime dance tempo. Its still punk in attitude but a future-punk that has those digital elements more present in dance music.

Brendan; Right, now I reckon it’s time we get exclusive Bec, just me and you… and all the readers. So, what would be an exclusive fun fact about yourself

Bec; A fun fact about myself? I don’t know that I can say I have fun facts, I guess that’s in the eye of the beholder. I love a random dance on the street, I love to Heely, I mix up names a lot. For example, there was a Japans band covering Blitz Screen Bob by the Ramones and I got up on stage and thanked them for their cover of ’Split-screen Bob’.

Brendan; Now for my favourite question of all, that’s right people, it’s WTF time! I know I’ve asked you this before, twice actually, and you said how early on you found a dirty nappy in your travel bag on the plane, and last year you told me how at one show, a girl you kissed during ‘Kiss It Better’ took you quite literally, to the point where you had to reluctantly pull away from her to catch up to your singing. But this time, has there been any WTF moments in Japan?

Bec; WTF moments for me have been pulling an all-nighter in Shibuya, doing the rounds of bars and ending up in a party in Love Hotel. Actually this tour has been an all-around WTF moment. Every night has been an adventure, seeing really weird support bands. Another one aside from the bubble bath one was a band that dressed as ‘Where’s Wally’ and sang Queen covers.

Brendan; As always it has been a pleasure chatting to you Bec, but we’ll leave it with one more. So, what’s next for Rackett?

Bec; What’s next is more music! I have another single out in January next year and will be reassessing more and more next year. I’ll be touring, working on my Heelys game and waiting for the future to arrive.

Ali Barter - Podcast Interview, October 24 2019

QUITE A SUITABLE GIRL!

This girl right here is quite a suitable girl to snag your attention, so please stay focused! Brendan the blind guy spoke to Melbourne's pop/rock star ALI BARTER about her recently released second studio album 'Hello, I'm Doing My Best' plus the Australian run of tour dates for the album, what inspires her writing and much more! Make sure you've got hold of it properly and have a listen! Check out the official Keen Eye 4 Concerts website www.keeneye4concerts.com

This girl right here is quite a suitable girl to snag your attention, so please stay focused! Brendan the blind guy spoke to Melbourne's pop/rock star ALI BARTER about her recently released second studio album 'Hello, I'm Doing My Best' plus the Australian run of tour dates for the album, what inspires her writing and much more!

Make sure you've got hold of it properly and have a listen!

Plus check out Ali Barter’s ‘Hello, I’m Doing My Best’ Australian tour dates at the What’s On? page here.

The Dandy Warhols - Podcast Interview with Brent (Drums), October 18 2019

“HORSHACK!”

All you girls and boys better listen closely, because if you like 90's psychedelic-pop, than this will make you get off! Brendan the blind guy got to live the highlife chatting to Brent the drummer from legendary psych-pop band THE DANDY WARHOLS, about their 25th anniversary Australian tour, their new album 'Why You So Crazy?' and its inspiration and much more! Listen and you'll feel like you're having dinner with some of music's greatest, and as if you're caught in a 70's TV show! Check out the official Keen Eye 4 Concerts website www.keeneye4concerts.com

All you girls and boys better listen closely, because if you like 90's psychedelic-pop, than this will make you get off! Brendan the blind guy got to live the highlife chatting to Brent the drummer from legendary psych-pop band THE DANDY WARHOLS, about their 25th anniversary Australian tour, their new album 'Why You So Crazy?' and its inspiration and much more!

Listen and you'll feel like you're having dinner with some of music's greatest, and as if you're caught in a 70's TV show!

The Cat Empire - Interview with Felix (vocals), October 3 2019

THE CHARIOT OF GREATNESS!

Hello everybody! Brendan the blind guy had the pleasure of chatting to Felix the lead singer from Australia's favourite jazz/pop partiers, THE CAT EMPIRE, before their first of three Sydney show at the Metro Theatre on October 3 2019! Do not lose your boarding pass to this tropical adventure!

Hello everybody! Brendan the blind guy had the pleasure of chatting to Felix the lead singer from Australia's favourite jazz/pop partiers, THE CAT EMPIRE, before their first of three Sydney show at the Metro Theatre on October 3 2019!

Do not lose your boarding pass to this tropical adventure!

For Brendan the blind guy’s review of The Cat Empire’s first of three shows at the Metro Theatre Sydney on the ‘Stolen Diamonds’ Australian tour, click here.

Check out The Cat Empire’s new album ‘Stolen Diamonds’ on Apple Music!