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Aussie rock band

Dip Road Dogs, Shakshuka EP review

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Dip Road Dogs, Shakshuka EP review

READY FOR SOMETHING NEW?

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The EP is blasted off the starting mark with electrifying and exciting distorted guitar strikes in ‘Chaos In Kherson’. To follow the excitement building guitar riff, the fast-paced taps of the drums leaps forth in a burst of energetic patterns which perfectly raises the anticipation for the sequential ray of warm, hypnotic vocals, laced with spacey reverb, reminiscent of The Cure and David Bowie. These attributes are carried all the way throughout the song, filling me with a bright nostalgic feel like that of when looking back on a pleasant time in the past.

‘Labour Day’ up next, offers a similar musical flavour, with warm reverb-laden vocals and a fast-paced drum beat, yet offers a static wave of violin-like sound in its intro, a pulsing psychedelic guitar riff plus what seems to be possibly a harmonica nearing the songs end, giving a dash of diversity whilst keeping to a soul sound.

Third song in, I personally like to hear something a little bit different whilst still in the general realm of sound, ‘Lazy’ fits that criterion! Although yes, it does still feature the previously heard warm, hypnotic retro vocals in the previous two songs, plus a bright and similarly warm major-key tonal colour, the even more calming rhythmic sway of the violin plus the addition of dual-layered vocals in the chorus, give this sweet little track a suitable potency to the record.

My personal favourite on this record is the next track ‘Serenity Now’. This song lifts you out of the calm trance ‘Lazy’ left you in, with it’s blues/roots edge in the form of the swaggering drum beat, with the sharp guitar riffs riding the storm cloud-vibe, as it gets ready to unleash the clap of thunder that is the chorus, with elevated guitars and soaring vocals not heard on this record prior!

‘McClurkin Ave Blues’ brings a more country/blues feel to it, with it’s wailing guitar outcalls, walking bass lines and cruisy vocals, which isn’t my personal cup of tea, but I can appreciate it, and who knows, when I feel like leaning back and chilling out on a lazy Sunday arvo, this song might appeal to my tastes more?

What does appeal to my tastes however, is the final track on this record ‘Something New’ which, forgive my pun, offers something new in the form of crisp piano, and progressing drum beats from the start to the finish. What really appeals to me however, apart from the addition of piano, is the mix of a nice chord progression plus soothing yet urging dual-layer serene/mellow vocals, squirting guitars and rushing drums in the chorus. 

All good things must come to an end, but in my opinion that’s a pretty bloody-good way to cap off an easy to like musical journey with elements of indie, rock, retro 80’s, blues and pop such as this!

Check out the Q&A interview with lead singer Dave Chirnside here

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Grinspoon - 'Chemical Heart Tour', Sydney November 2 2019

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Grinspoon - 'Chemical Heart Tour', Sydney November 2 2019

WELCOME TO CHEMISTRY 101!

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Welcome to Chemistry 101 with your Champion teachers, Grinspoon. Seriously, I sucked at chemistry in school, like, to the point I honestly can’t remember doing it… wait, chemistry is what gives Black Rabbits their colour, and what makes Dogs Run right? Yet somehow, here I am, a somewhat teachers-aid, helping Grinspoon take you through all the Thrills, Kills & Sunday Pills on their ‘Chemical Heart’ tour Tonight, which is sure to be Just Ace and a sure Hard Act To Follow!


Right Now, I have No Reason to keep on like this, so Ready 1, 2, 3 class is commencing now!...


For a change in perspective, and to rest my aching twenty-five year-old bones, I’ve opted to see what it’s like witnessing a Grinspoon gig from a seat near the mixing tower, via high-power binoculars. Especially too, as if you read my review of Grinspoon’s Newcastle gig in 2017, well, the crowd was brutal and got me a tad riled up, (come on, who tries snatching the drumstick that one of the band members hands to me out of my grasp?!), and that was a small venue… the Hordern Pavilion is not!


What I love about the Hordern, is the lighting and stage effects are always a real treat! What, a blind person can’t enjoy the aesthetics too? Well, a rush of electrifying lights and stage effects propels the energy sky-high for the band to catch, squeeze and thrash around in ‘DC X 3’ which is seamlessly flowed into ‘Lost Control’ and after barely enough time for the crowd to lose control with applause, straight into ‘Sickfest’ and then still no rest for the wicked, straight into ‘Just Ace’.


What does over twenty years of experience as Aussie rock ‘n’ roll professors (the band) provide one with? Well for starters, the band sure know how to conduct the energy and toy with it perfectly, manipulating the mood in the venue like a science experiment gone oh-so right! Honestly, I’m not a fan of ‘DC X 3’ much, simply because I’m a crazy cat guy, but that aside, Phil’s voice capturing both punk rebellion and gruff agro bite to call on, mixed with edgy guitar riffs and driving drum strikes lands the crowd right in the palm of their hands by the looks of things. (A sea of fists, and sporadic energy from the crowd, in response to the mass-movement on stage to a backdrop of fiery lighting). This aggression-filled rebellious track sends a chemical rush of savage pent-up aggression, met with excitement throughout the venue, it’s like a steroid/ecstacy hybrid! ...Please don’t try that at home… or anywhere for that matter!


‘Lost Control’ is a perfect follow-up to ‘DC X 3’ because, literally, the crowd have already lost control like they’ve submitted to a potent chemical… actually for all I know that could be the case? But seriously, this song keeps the hard-hitting rock brutality at 11, whilst presenting a more anthemic chorus to chew on and regurgitate simultaneously, with a fist pumping like the pumping motion will push it out of you! (that image? You’re welcome!).


‘Sickfest’ keeps the energy elevated, while giving a morphing beat drive like the most epic acid-trip ever, (that is what we learnt in chemistry right?), transforming from a whip-lash intro beat, to a dance-provoking strut in the verses and finally a sexy swagger in the chorus to Phil’s rough vocal bite. 


‘Just Ace’ is a rush of contrasting intense energy, it’s brighter, more uplifting, more up-beat. This is one of those short, sweet bangers that you’re glad doesn’t go for longer, or you’d probably faint from busting out the energy it invokes, well, that is if your fitness level resembles that of mine anyway. It’s a smart move putting this song after the previous three slammers, to keep the energy nice and high, but acknowledging the aggression in the previous songs’ energy, it gives a refreshing cool positive breeze, so not to start a full-blown brawl/riot!


Honestly, I could keep going on and on like this, but we’d still be here reading tomorrow evening. But the reason I went into a comprehensive assessment of these first four songs is that it perfectly paints the picture for the show! 


The energy is high all the way through the set, however the band conduct the precise reactions intended perfectly, dropping anthemic hook sing-alongs like my personal favourite ‘Hard Act To Follow’, plus instigating melodic sing-alongs with the crowd, all amidst a smokescreen of white-hot intensity. Then later in the set after everyone’s drenched in sweat, a refreshing solemn-hearted self-reflective track like ‘Better Off Alone’ which poetically is like that moment when you stop and really take stock of your thoughts and feelings. Plus to reel back in any drifting attention that may have gone astray, Phil pops-up at a small secondary stage behind the mosh pit for an acoustic solo track, which helps remind people other than in the thick of the mosh, that they’re a part of this moment too. 


But acoustic tracks and deep self analytical tracks are no way to end a rock show right? Despite this being the ‘Chemical Heart’ tour and said song being arguably the band’s greatest hit, it’s not a suitable grand finale, it’s an amazing track yes, but it lacks that spark to finish a set with. So ‘Chemical Heart’ is in the encore yes, but only before the band thank us from the bottom of their hearts and finish with ‘Champion’ and ‘More Than You Are’. Both these two last tracks restore any and all energy the show once had, with the psych-up egging-on fire in ‘Champion’ which is like a red flag to a bull, and the extreme thrashing brutality with Phil belting out raspy edge in both tracks! 


After all this, being seated I’m rather thankful I dodged the onslaught of crowd-surfers and just insane energy emanating from the mosh, it really let me enjoy the sound mixers handy-work with the set to its fullest, I mean it was just ace!


Right, time for grading;


Flow of songs/energy. A+

Interaction with crowd. B

Sound mix. A+ 

Band performance (solo’s, instrumentation, accuracy etc). A

All in all. One bloody good show!!!

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