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Meg Mac "Matter Of Time" album tour Sydney 15/04/2023

Meg Mac "Matter Of Time" album tour Sydney 15/04/2023

It was only a matter of time

Meg Mac @ Enmore Theatre Sydney 15/04/2023



We all know that great music from truly talented arts will Never Be snuffed out of this world by harsh times, such as the COVID-19 pandemic, and if you thought the hiatus of music from artists like this, and my quirky reviews of their gigs, was a sign of the end on both fronts, well, you Should’ve Known better….you ain’t ever gonna shut me up! 



It was only a Matter Of Time until truly talented artists such as Meg Mac graced our stages again, we just had to Ride It out. Tonight, our anticipation has been met with Meg Mac bringing her ‘Matter Of Time’ tour to Sydney’s Enmore Theatre.



Tick, tock, tick…



The ticking of the clock on the speakers detonates into Meg Mac emerging on stage to open the set with album title track, ‘Matter Of Time’. This song brings forth a dark, warning minor-toned power surge, with Meg’s vocals sitting perfectly in the mix of crystal clear sounds, even when a massive bass-drop rumbles the theatre, Meg’s power-house vocals soar above the fray perfectly!



‘Matter Of Time’ is nicely flowed into the next song ‘Turning’ which brings with it a contrasting soulful, heart-aching essence full of emotion and confidence. This song is followed by ‘Every Lie’ and ‘Maybe It’s My First Time’. These songs lift the atmosphere with their rise in positive energy, as Meg really spreads her wings and sends her powerful voice soaring all around the theatre with precision, grace and control. While Meg’s voice flies around the venue, twirling, dazzling and gently lifting our spirits, supporting harmonies  help put more force behind Meg’s vocal flight, as if a flock of birds are trailing behind Meg. At this stage as my friend next to me reads this, she’s probably looking dubiously at the bar wondering what the f*** they put in my cider! 



Meg thanks the crowd and briefly speaks to us, quite shyly and void of the confidence she so elegantly displays in her music. I do remember Meg telling me in our interview in 2017 that she can be quite shy and withdrawn, and it’s through music that she’s really free, or along those lines at least, c’mon, it was six years ago you can’t really expect me to remember word for word!



Sitting here, enjoying the cocktail of delicious sounds so perfectly mixed together (shaken, not stirred) not clashing or overpowering one another, even when we get bone-shaking bass, I’m truly impressed with how Meg so beautifully transitions the flavour of her vocals from serious, dark warning, to soulful heart-aching, to sweet, bouncing joyful, to sassy, and everything in between. she could probably even pull off heavy-metal screams if she wanted to! 



These attributes are scattered across genres such as Pop, Indie, Alternative, Motown, R&B and Gospel, all held together in the one body like the vivid colours on a bird… yes we’re back to the birds thing.



Just to mess you around with the whole bird analogies, as the show goes on, Meg’s confidence and stage presence starts a freshly hatched bird, but then grows and takes off, chasing her musical confidence and power, quickly catching up to then merge into one being, let’s say a stunning, burning Phoenix, exuding both fearsome power and exquisite grace! 



Meg tells us stories with more and more confidence, such as how she scrapped a whole album because it just wasn't right for her to the point of keeping her up at night , so she scrapped it and started all over again to eventually become the album that has become “Matter Of Time'' with the opening track “Is it Worth Being Sad?” representing her feelings about starting fresh. 



Meg then goes on to tell us how she played the song ‘Don’t You Cry’ in Africa, I think she said? Before playing the sweet acoustic track, then onto talking about writing and performing before playing songs like the intense drum pulses and vocal hook of ‘Grace Gold’ then the heart-filled emotion of ‘Letter’, with Meg demonstrating her talent on the Piano, with the songs nice blend of block-chords, broken-chords and melody.



As the show nears its final flight, the energy in the venue is palpable and electric with the crowd seeming to feed off Meg’s energy and giving it back to her to further aid Meg’s Flight Of The Phoenix that she’s become! The 'final' song for the evening is fan favourite ‘Never Be’ which has a more defined powerful drum beat lifting Meg’s voice even higher, like hard flaps of wings to push the main body to new heights!



Well that’s all folks, yep, go home… Oh wait, there’s an encore that totally doesn’t happen at ALL shows, that we NEVER  see coming and totally isn’t written out already on the band/artists setlists!



The actual final song is breakthrough massive hit, ‘Should’ve Known’ which as Meg tells us how this year marks ten years since she flew onto the music scene with an audible smile on her face, makes the crowd go nuts and is a perfect way to land the show back down to earth but not before the house is brought down with the crowd singing along to every word in full captivation!



This show tonight was a real treat, with its musical diversity, emerging stage presence and perfectly balanced sounds!



Just like a Phoenix rising from its ashes time and time again, I have no doubt Meg Mac will rise and take flight again, soon!

Sannia 'Better' & 'Daylight' Twin Single Launch, Sydney 14/09/2019

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Sannia 'Better' & 'Daylight' Twin Single Launch, Sydney 14/09/2019

THIS WAS NEVER MEANt TO BE

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First and foremost, this review was never meant to be, but here we are.


Let me set the scene for you, it’s 11pm and Sannia, a talented young singer/songwriter all the way from the Mornington Peninsula in Victoria’s south, has been Travelling up to Sydney since 5am to put on a free show at a venue seldom spoken of, and never heard of by myself prior to the launch of her twin singles ‘Better’ and ‘Daylight’. 


Driving since 5am, small mysterious venue, sounds like a recipe for disaster..


“My sister calls it an ear-worm, it burrows in and gets stuck in your head”. That’s what Sannia said about her single ‘Better’ when I interviewed her recently, (Listen to the podcast here) so when she opens her set with the song, we, the audience, all have worms.


I was quite surprised that Sannia chose this to be her opening song as it’s definitely an infectious stand-out sensation of rich aural vibrancy, so it’s rather risky dishing out a trump-card/climactic song straight-up. Let me put it this way, you don’t show your hand too soon in poker right? You milk it, win as much as possible before hitting them with the royal-flush … but that’s exactly what makes this song the perfect initiation!


You may recall earlier this year my review of the CHVRCHES concert at the Sydney Opera House, in which I took you through my literally colourful musical perspective Synesthesia? Well tonight, Sannia starting her set with ‘Better’ is like being splashed in the face with a flurry of gorgeous, rich, vibrant red, orange and pink paint! Let me tell you, being splashed in the face with paint sure as hell brings you out of the mellow, lax 3-drink state! (don’t worry, I won’t be driving home with alcohol in my system, I’m not irresponsible!).


Now one’s performance can be perfect, but if the sound quality is poor, it’s like trying to polish a… and being a small, lesser used venue, my expectations weren’t high as far as the sound quality on the venues part. You know when a mate tells you “ah yeah, the new Avengers movie was alright” then you watch it and it blows your mind as your expectations weren’t unrealistically high? Well that’s EXACTLY the case tonight! A complementive minimal amplificated sound atop non-amplified drums is set just right and is pure, crisp, crystal-clear, resonating Sannia’s vocals naturally and simply perfectly through the rather classy intimate venue!


Right right, back to Sannia’s actual performance. As I said, this review was never meant to be, it was simply a nice night out to enjoy some music from a talented and all-in-all lovely artist, enjoying a drink or two with no requirements of a review. But oh… my… GOSH! 


I feel terrible that this show was free as this kind of musical and performance calibre is that of artists I’m used to packing out much, much larger venue and requiring a decent admission fee! I knew Sannia has a great voice and her three released singles all convey exquisite aural flavours and both vocal and musical diversity, but I know I know, I’m really laying it on heaps here, but seriously, I can see why people apparently cry during Sannia’s songs. In every song, I’m filled with swirling colours moving up and down the pitch tonal-key spectrum with her band perfectly complementing her musical complexity and honest raw emotions. And if you know her first single released last year ‘Go And Get Over’, you’d know the incredibly powerful, hard-to-hit note that occures on the word ‘fine’ five times throughout the song? Well she nails it live, all five of the ‘fine’s!


There’s really only one thing I find to let the show down to be honest, it only went for forty-five minutes or so. No seriously, I’m not being coerced to write this, each and every song brought a smile to my face and most gave me euphoric goose-bumps leaving me wanting more, but I knew my attempts at demanding an encore wouldn’t be successful. 


This review was never meant to be, but this performance demanded it. Because quite simply, when this musical gem is brought to the attention of the masses, performing at large theatres across the country to thousands of adoring fans, I want to be able to say…


I witnessed a performance that brought forth a review that was never meant to be... 

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